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Ajax
Dramatis Personae
ATHENA: goddess of war and
wisdom
ODYSSEUS: king of Ithaca, a leader in the Argive forces at Troy
AJAX: king of Salamis
CHORUS: sailors from Salamis
TECMESSA: daughter of the king of Phrygia, concubine of Ajax
MESSENGER: a soldier
TEUCER: a Greek warrior, half-brother of Ajax
MENELAUS: one of the commanders of the Argive forces at Troy
AGAMEMNON: brother of Menelaus, commander of the Greeks EURYSACES: young
son of Ajax and Tecmessa.
ATTENDANTS, SERVANTS, SOLDIERS
[The action takes place during the last year of the Trojan War. The scene is one end of the Argive camp beside the sea, outside Ajax’s hut. The hut is a substantial building with main doors facing the audience and some side doors. There are steps leading up to a platform outside the main doors. It is early in the morning, without very much light yet. ODYSSEUS enters slowly, tracking footprints in the sand and trying to look through the partially open door into the hut. The goddess ATHENA appears and speaks to ODYSSEUS.]
ATHENA
Odysseus, I keep seeing you prowl around,
seeking by stealth to gain the upper hand
against your enemies. And now, by these
huts
at one end of the army, where Ajax
has his camp beside the ships, for some time
I’ve been observing as you track him down,
keeping your eyes fixed on his fresh-made trail,
to find out whether he’s inside or not.[1]
Like a keen-nosed Spartan hunting dog
your path is taking you straight to your goal—
10
the man has just gone in, his head and arms
dripping with sweat after the butchery
[10]
he’s just carried out with his own sword.
So you don’t need to peer inside the doors.
What are you so eager to discover here?
Why not tell me? You could learn the answer
from someone who knows.
ODYSSEUS [looking up but
he cannot see Athena]
Ah, Athena’s voice, of the gods
the one I cherish most. How clear you sound.
I can’t see you, but I do hear your words—
my mind can grasp their sense, like the bronze call
20
of an Etruscan trumpet.[2]
And you are right.
You see me circling around, tracking down
that man who hates me, shield-bearing Ajax.
I’ve been following his trail a long time now—
[20]
just him, no one else. During the night
he’s done something inconceivable to us,
if he’s the one who did it. We’re not sure.
We don’t know anything for certain.
So I volunteered to find out what’s gone on.
We’ve just discovered all our livestock killed—
30
our plunder butchered by some human hand,
and with them the men who guard the herd.
Everyone blames Ajax for the slaughter.
What’s more, an eyewitness who saw him
striding by himself across the plain, his sword
[30]
dripping with fresh blood, informed me of it
and told me what he saw. I ran off at once
to pick up his trail. I’m following the tracks.
But it’s confusing—sometimes I don’t know
whose prints they are. So you’ve come just in time,
40
for in the past and in the days to come
your hand has been and will remain my guide.
ATHENA
I am aware of that, Odysseus, that’s why
for some time I’ve been keen to come to you
as a watchman on your hunt.
ODYSSEUS
Well then, dear lady,
will what I’m doing here have good results?
ATHENA
I’ll tell you this: Ajax did those killings,
as you suspected.
ODYSSEUS
Why would he do that?
[40]
Why turn his hands to such a senseless act?
ATHENA
The weapons—that armour from Achilles—
50
it made him insanely angry.[3]
ODYSSEUS
But then
why would he slaughter all the animals?
ATHENA
He thought he was staining both his hands
with blood from you.
ODYSSEUS
You mean this was his plan
against the Argives?
ATHENA
Yes—and it would have worked,
if I had not been paying attention.
ODYSSEUS
How could he have done something so reckless?
How could his mind have been so rash?
ATHENA
At night
in secret he crept out alone after you.
ODYSSEUS
How close was he? Did he get to his target?
60
ATHENA
He reached the camp of both commanders—
he made it right up to their double gates.[4]
ODYSSEUS
If he was so insanely keen for slaughter,
[50]
how could he prevent his hands from killing?
ATHENA
I stopped him. I threw down into his eyes
an overwhelming sense of murderous joy
and turned his rage against the sheep and cattle
and those protecting them—the common herd
which so far has not been divided up.[5]
He launched his attack against those animals
70
and kept on chopping down and slaughtering
the ones with horns by slicing through their spines,
until they made a circle all around him.
At one point he thought he was butchering
both sons of Atreus—he had them in his hands.
Then he went at some other general
and then another. As he charged around
in his sick frenzy, I kept encouraging him,
kept pushing him into those fatal nets.
[60]
And then, when he took a rest from killing,
80
he tied up the sheep and cattle still alive
and led them home, as if he had captured
human prisoners and not just animals.
Now he keeps them tied up in his hut
and tortures them. I’ll let you see his madness—
in plain view here—so you can witness it
and then report to all the Argives. Be brave.
Do not back off or look upon this man
as any threat to you. I will avert his eyes,
so he will never see your
face.
[70]
[Calling to Ajax inside the hut]
You in
there—
90
the one who’s tying up his prisoner’s arms—
I’m calling you! I’m shouting now for Ajax!
Come on out here! Outside the hut! In front!
ODYSSEUS
Athena! What are you doing? Don’t call him!
Don’t bring him out here!
ATHENA
Just be patient.
Don’t run the risk of being called a coward.
ODYSSEUS
For the gods’ sake, don’t do it! Leave him be!
Let him stay inside!
ATHENA
What’s the matter with you?
He was just a man before this, wasn’t he?
ODYSSEUS
Yes, and in the past unfriendly to me,
100
and especially now.
ATHENA
But the sweetest laughter
comes from mocking enemies. Is that not true?
ODYSSEUS
Still, I’d prefer he stayed inside his hut.
[80]
ATHENA
You hesitate to see before your eyes
someone in a raving fit?
ODYSSEUS
Yes, I do—
if he were fully sane I’d not avoid him
or hesitate . . .
ATHENA
But he won’t see you now,
not even if you stand beside him.
ODYSSEUS
How will that occur, if he still can see
with his own eyes?
ATHENA
His eyes see very well,
110
but I will make them dark.
ODYSSEUS
Well, it is true
a god’s work can make all things possible.
ATHENA
Stand here, then, and stay quiet.
ODYSSEUS
I’d
better stay,
although I’d have preferred to keep my distance.
ATHENA
You in there, Ajax! I’m calling you again!
Why show your ally so much disrespect?
[90]
[1]According to Homer, Ajax’s encampment lay at one end of the Argive line, a position more exposed than other parts and hence a mark of Ajax’s courage. Achilles’ encampment was at the other end. The phrase “of the army” has been added to clarify this point.
[2]These lines make clear that Odysseus cannot, at this point, see Athena, either because it is still too dark or because she has concealed herself somewhere (or both). Given what happens in a moment, it is not feasible that Athena is simply a disembodied voice.
[3]When Achilles, the greatest fighter among the Argive leaders, was killed (shortly before the action of this play) his divinely made armour was set up as a prestigious prize among the Argive warriors. Odysseus and Ajax were the main claimants, and as the result of a vote among the Argive leaders, the weapons were awarded to Odysseus, over the strong objections of Ajax, who, according to was considered the finest Argive warrior after Achilles.
[4]The two commanders are Agamemnon and Menelaus, sons of Atreus and the chief leaders of the Argive forces at Troy.
[5]This detail means that Ajax has killed animals belonging to everyone, since all soldiers were to receive some of the cattle or sheep as battle spoils.
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