Questions? Call us
toll free:
1-800-856-3060
Sign up to receive notice of free eBooks, new releases and special subscriber-only offers.
(You can unsubscribe at any time)
Why Should I Buy This Book?
No work from classical antiquity, either Greek or Roman, has exerted such a continuing and decisive influence on European literature as Ovid's
Metamorphoses. The emergence of French, English, and Italian national literatures in the late Middle Ages simply cannot be fully understood without taking into account the effect of this extraordinary poem. And the development of a great deal of modern poetry draws no less heavily on Ovid's masterpiece.The Metamorphoses is, first and foremost, an
extraordinarily fecund resource for narratives, especially stories of human
personalities in conflict. It is true that most of these stories do not
originate in Ovid. He has culled them from all sorts of sources, but here
they all exist together, rather like an encyclopedia of mythology, giving
direct access to a magical world of fiction which provides all those
interested in art a resource without equal.
In some cases, Ovid's account is the only source for a
particular story, one which has been picked up and embellished and
re-embellished throughout European literature. The tale of Pyramus and
Thisbe, for example, was one of the first to enter European literature. In
the Middle Ages this story was turned into a 900 line French poem. It was
also used by the English poets Chaucer and Gower and the Italian Renaissance
poets Boccaccio and Tasso. Shakespeare used the tale as the basis for Romeo
and Juliet and, in a comic version of the same narrative, in A
Midsummer Night's Dream.
But the popularity of the Metamorphoses rests
also, and more importantly, on the delight people experience in reading the
poem, which is self-consciously epic in its scope. Ovid is seeking to
recount the history of the world and of human civilization, establishing the
nature of the god and goddesses, the creation of the human race, the
interactions of gods and human beings, and some major legendary historical
events, like the Trojan War, the founding of Rome.
These very disparate elements are joined together in a
seamless narrative, so that we move easily from one story into the next, and
often we, as readers, are drawn into some new tale before we fully realize
that the old one is over. This provides a constant sense of movement. None
of the stories is very long, but Ovid avoids any erratic sense of stopping
and starting all the time by the skill of his narrative links. What emerges
is something far more than just a catalogue of ancient stories but a genuine
narrative with a logic of its own.
The poem's many episodes share a common theme—the idea
of metamorphosis or transformation, usually accompanied by violence. This
gives to virtually all the stories an inherently dramatic quality, since the
violence frequently involves a helpless and protesting victim, the evidence
for whose change often remains forever in the landscape, the heavens, or in
the natural life around us.
Finally, the strength of this poem may very well rest on the fact that it offers no particular vision of life and has no particular interest in such a high ambition. It is, by contrast, a celebration of the literary genius of the writer, a self-conscious demonstration of the pure pleasures of fiction without recourse to any high moral seriousness.
Ian Johnston
This title can be previewed by following the link to the preview page for this title.