"What a delight it is to read Robert Cohen's translation and 
					adaptation of 
					Clizia by
					
					
			
	
					Niccolò
	
			
	
	
			
					Machiavelli. This compact five-act piece leaps off 
					the page with wit, verve, and really funny moments. It 
					presents Machiavelli's early Commedia dell'Arte as it is was 
					surely intended: replete with lively songs, direct addresses 
					to the audience, ridiculous twists of fate, and those 
					requisite bawdy situations. Actors will enjoy the challenges 
					of presenting this set of ridiculous stock commedia 
					characters. Directors will revel in the nonstop action, and 
					the rich comedic opportunities for theatrical staging. From 
					start to finish, Cohen is true to the form of Commedia and, 
					at the same time, sensitive to the needs of a contemporary 
					audience. This piece is tons of fun to read . . . and 
					screams out to be staged."
					
					  
					~ Eli Simon, Artistic Director, New Swan Shakespeare 
					Festival, Chancellor's Professor of Acting, UC Irvine
					
					
					www.elisimon.com
					
					“I was struck by the performative potential of this 
					translation. It is not a line-by-line transposition from one 
					language to another, but a Clizia that can be read, 
					performed, and enjoyed today. It captures a specific visual, 
					melodic, and theatrical universe; its text bubbling on the 
					page with the dynamism Machiavelli intended. Its stage 
					directions are a canovaccio, a door into improvisatory 
					opportunities; its contemporary colloquialism bridges the 
					gap between tradition and today's sensibilities. Bellissimo!!!!”
					
					
   ~ Roberto Prestigiacomo, Professor of Human Communication and 
					Theatre - Trinity University; Producing Artistic Director of 
					AtticRep, San Antonio 
					
					“Professor Cohen’s rendering of Machiavelli’s Clizia is an 
					erudite and informed translation, one that is both correct, 
					fluent and idiomatic, and furnished with a first-rate 
					introduction. Most important, Cohen wrote it to be 
					performed. His is a first-rate piece of work which will 
					delight Renaissance scholar, director and modern theater-goer.”
					
					
   ~ James Chiampi, Professor of Italian, University of California, 
					Irvine