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		Ajax
		Dramatis Personae
		ATHENA: goddess of war and 
		wisdom
		ODYSSEUS: king of Ithaca, a leader in the Argive forces at Troy
		AJAX: king of Salamis
		CHORUS: sailors from Salamis 
		TECMESSA: daughter of the king of Phrygia, concubine of Ajax
		MESSENGER: a soldier 
		TEUCER: a Greek warrior, half-brother of Ajax
		MENELAUS: one of the commanders of the Argive forces at Troy
		AGAMEMNON: brother of Menelaus, commander of the Greeks EURYSACES: young 
		son of Ajax and Tecmessa.
		ATTENDANTS, SERVANTS, SOLDIERS
[The action takes place during the last year of the Trojan War. The scene is one end of the Argive camp beside the sea, outside Ajax’s hut. The hut is a substantial building with main doors facing the audience and some side doors. There are steps leading up to a platform outside the main doors. It is early in the morning, without very much light yet. ODYSSEUS enters slowly, tracking footprints in the sand and trying to look through the partially open door into the hut. The goddess ATHENA appears and speaks to ODYSSEUS.]
		ATHENA
		      Odysseus, I keep seeing you prowl around,                         
		
		      seeking by stealth to gain the upper hand
		      against your enemies. And now, by these 
		huts                            
		      at one end of the army, where Ajax
		      has his camp beside the ships, for some time
		      I’ve been observing as you track him down,
		      keeping your eyes fixed on his fresh-made trail,
		      to find out whether he’s inside or not.[1]
		      Like a keen-nosed Spartan hunting dog
		      your path is taking you straight to your goal—                
		10
		      the man has just gone in, his head and arms
		      dripping with sweat after the butchery                
		                                 
		[10]
		      he’s just carried out with his own sword.
		      So you don’t need to peer inside the doors.
		      What are you so eager to discover here?
		      Why not tell me? You could learn the answer
		      from someone who knows.
		ODYSSEUS [looking up but 
		he cannot see Athena]  
		                                        Ah, Athena’s voice, of the gods
		      the one I cherish most. How clear you sound.
		      I can’t see you, but I do hear your words—
		      my mind can grasp their sense, like the bronze call         
		20
		      of an Etruscan trumpet.[2] 
		And you are right.
		      You see me circling around, tracking down
		      that man who hates me, shield-bearing Ajax.
		      I’ve been following his trail a long time now—          
		                
		[20]
		      just him, no one else. During the night
		      he’s done something inconceivable to us,
		      if he’s the one who did it. We’re not sure.
		      We don’t know anything for certain.  
		      So I volunteered to find out what’s gone on.
		      We’ve just discovered all our livestock killed—                 
		30
		      our plunder butchered by some human hand,
		      and with them the men who guard the herd.
		      Everyone blames Ajax for the slaughter.
		      What’s more, an eyewitness who saw him
		      striding by himself across the plain, his sword            
		                
		[30]
		      dripping with fresh blood, informed me of it
		      and told me what he saw. I ran off at once
		      to pick up his trail. I’m following the tracks.
		      But it’s confusing—sometimes I don’t know
		      whose prints they are. So you’ve come just in time,         
		40
		      for in the past and in the days to come
		      your hand has been and will remain my guide.
		ATHENA 
		      I am aware of that, Odysseus, that’s why
		      for some time I’ve been keen to come to you
		      as a watchman on your hunt. 
		ODYSSEUS
		                                           Well then, dear lady,  
		      will what I’m doing here have good results? 
		ATHENA
		      I’ll tell you this: Ajax did those killings,
		      as you suspected.
		ODYSSEUS
		                                             Why would he do that?   
		                                    
		[40]
		      Why turn his hands to such a senseless act? 
		ATHENA
		      The weapons—that armour from Achilles—                      
		50
		      it made him insanely angry.[3]
		ODYSSEUS
		                                                             But then
		      why would he slaughter all the animals?
		ATHENA
		      He thought he was staining both his hands
		      with blood from you.
		ODYSSEUS
		                         You mean this was his plan
		      against the Argives?
		ATHENA
		                     Yes—and it would have worked,
		      if I had not been paying attention.
		ODYSSEUS
		      How could he have done something so reckless?
		      How could his mind have been so rash?
		ATHENA
		                                                         At night
		      in secret he crept out alone after you.
		ODYSSEUS
		      How close was he? Did he get to his target?                      
		60
		ATHENA
		      He reached the camp of both commanders—
		      he made it right up to their double gates.[4]
		ODYSSEUS 
		      If he was so insanely keen for slaughter,                  
		                              
		[50]
		      how could he prevent his hands from killing?
		 ATHENA
		      I stopped him. I threw down into his eyes
		      an overwhelming sense of murderous joy
		      and turned his rage against the sheep and cattle
		      and those protecting them—the common herd
		      which so far has not been divided up.[5]
		      He launched his attack against those animals                   
		70
		      and kept on chopping down and slaughtering
		      the ones with horns by slicing through their spines,
		      until they made a circle all around him.
		      At one point he thought he was butchering
		      both sons of Atreus—he had them in his hands.
		      Then he went at some other general
		      and then another. As he charged around
		      in his sick frenzy, I kept encouraging him,
		      kept pushing him into those fatal nets.                      
		                   
		[60]
		
		      And then, when he took a rest from killing,                      
		80
		      he tied up the sheep and cattle still alive
		      and led them home, as if he had captured
		      human prisoners and not just animals.
		      Now he keeps them tied up in his hut
		      and tortures them. I’ll let you see his madness—
		      in plain view here—so you can witness it
		      and then report to all the Argives. Be brave.
		      Do not back off or look upon this man
		      as any threat to you. I will avert his eyes,
		      so he will never see your 
		face.                                                           
		[70]
[Calling to Ajax inside the hut]
		
		                                                             You in 
		there—                      
		90
		      the one who’s tying up his prisoner’s arms—
		      I’m calling you! I’m shouting now for Ajax!
		      Come on out here! Outside the hut! In front!
		ODYSSEUS
		      Athena! What are you doing? Don’t call him!
		      Don’t bring him out here!
		ATHENA
		                                                   Just be patient.
		      Don’t run the risk of being called a coward. 
		ODYSSEUS
		      For the gods’ sake, don’t do it! Leave him be!
		      Let him stay inside!
		ATHENA
		                             What’s the matter with you?
		      He was just a man before this, wasn’t he? 
		ODYSSEUS
		      Yes, and in the past unfriendly to me,            
		                       
		100
		      and especially now.
		ATHENA
		                                          But the sweetest laughter
		      comes from mocking enemies. Is that not true? 
		ODYSSEUS
		      Still, I’d prefer he stayed inside his hut.               
		                                  
		[80]
		ATHENA
		      You hesitate to see before your eyes
		      someone in a raving fit? 
		ODYSSEUS
		                                                          Yes, I do—
		      if he were fully sane I’d not avoid him
		      or hesitate . . .
		ATHENA
		                                   But he won’t see you now,
		      not even if you stand beside him.
		ODYSSEUS
		      How will that occur, if he still can see
		      with his own eyes?
		ATHENA
		                       His eyes see very well,       
		                                        
		110
		      but I will make them dark.
		ODYSSEUS
		                                                    Well, it is true
		      a god’s work can make all things possible.
		ATHENA
		      Stand here, then, and stay quiet.
		ODYSSEUS
		                                                                I’d 
		better stay,
		      although I’d have preferred to keep my distance. 
		ATHENA
		      You in there, Ajax! I’m calling you again!   
		      Why show your ally so much disrespect?                      
		                
		[90]
[1]According to Homer, Ajax’s encampment lay at one end of the Argive line, a position more exposed than other parts and hence a mark of Ajax’s courage. Achilles’ encampment was at the other end. The phrase “of the army” has been added to clarify this point.
[2]These lines make clear that Odysseus cannot, at this point, see Athena, either because it is still too dark or because she has concealed herself somewhere (or both). Given what happens in a moment, it is not feasible that Athena is simply a disembodied voice.
[3]When Achilles, the greatest fighter among the Argive leaders, was killed (shortly before the action of this play) his divinely made armour was set up as a prestigious prize among the Argive warriors. Odysseus and Ajax were the main claimants, and as the result of a vote among the Argive leaders, the weapons were awarded to Odysseus, over the strong objections of Ajax, who, according to was considered the finest Argive warrior after Achilles.
[4]The two commanders are Agamemnon and Menelaus, sons of Atreus and the chief leaders of the Argive forces at Troy.
[5]This detail means that Ajax has killed animals belonging to everyone, since all soldiers were to receive some of the cattle or sheep as battle spoils.
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